Death and renewal: Mahler in Cincinnati

Von Cameron Kelsall, 28 März 2021

Laden, bitte warten...

Veranstaltung anzeigen

“the recording itself showed once again the CSO’s quick mastery of the digital landscape”

Rezensierte Veranstaltung: Music Hall, Cincinnati, am 27 März 2021

Mahler, Das Lied von der Erde (arr. Cortese)

Michelle DeYoung, Mezzosopran

Sean Panikkar, Tenor

Cincinnati Symphony Orchestra

Matthias Pintscher, Musikalische Leitung

Red rocks, interstellar calls, exotic birds... in Cincinnati

Sam Jacobson, 1st March

The Cincinnati Symphony vividly brings to life sprawling vistas of the American West in a stellar performance of Messiaen’s vast Des Canyons aux étoiles…

****1

Cincinnati May Festival closes 150th season with a glorious Mahler 8

Sam Jacobson, 27th May

The May Festival pulls all the stops to close their sesquicentennial season with Mahler’s vast and triumphant Eighth Symphony.

****1

Requiem, eternal light and hummingbirds at Cincinnati May Festival

Sam Jacobson, 25th May

The Cincinnati May Festival pairs a deeply-felt Mozart Requiem with a new work for chorus and orchestra by Julia Adolphe.

****1

Remarkable survey of 20th-century works by the Cincinnati Symphony

Sam Jacobson, 29th October

The Cincinnati Symphony thoughtfully illuminates a diverse cross-section of 20th-century repertoire with conductor Michael Francis and pianist Behzod Abduraimov.

****1

Langrée conducts Cincinnati Symphony in folk-inspired concert

Sam Jacobson, 26th February

The CSO packed much excitement into an hour-long program, featuring folk-inspired works of Walker and Kodály, along with the irresistible charm of Shostakovich’s Second Piano Concerto.

***11

You Have the Right to Remain Silent: Anthony McGill in Cincinnati

Timothy Robson, 21st November

Music Director Louis Langrée leads a program of Schubert, Julia Perry's Homunculus CF and Anthony Davis's You Have the Right to Remain Silent, featuring Anthony McGill as an outstanding clarinet soloist.

***11

Weitere Kritiken...

Cameron Kelsall

Cameron Kelsall is a classical music critic and cultural reporter. He has written for Bachtrack since 2019, and his byline has appeared in many national and international classical music publications. Based in Philadelphia, he regularly travels around the United States for musical events. In addition to his career in journalism, Cameron also teaches in the Theatre Arts program at the University of Pennsylvania. He is also a certified sommelier and avid home cook. His favorite composer is Mahler. Twitter: @CameronPKelsall.