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A box of Baroque tricks: Vivica Genaux and Sydney's Pinchgut wow Melbourne

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“with almost insane coloratura and an extended elaborate cadenza”
Rezensierte Veranstaltung: Arts Centre Melbourne: State Theatre, Melbourne, am 7 Dezember 2018
Hasse, Cleofide: Ouvertüre
Hasse, Cleofide: Son qual misera colomba
Broschi, Idaspe: Ombra fedele anch'io
Porpora, Semiramide riconosciuta: Come nave in ria tempesta
Vivaldi, Concerto for strings in E minor, RV 134
Händel, Parnasso in festa, HWV73: Ho perso il caro ben
Händel, Alcina, HWV 34: Sta nell'Ircana pietrosa tana
Hasse, Sinfonia in F major, Op.6 no. 1
Vivaldi, L'Olimpiade, RV 725: Mentre dormi amor
Vivaldi, Griselda, RV 718: Agitata da due venti
Porpora, Polifemo: “Alto Giove”
Hasse, Demofoonte: Overture
Vivaldi, Catone in Utica, RV 705: Come in vano il mare irato
Vivica Genaux, Mezzosopran
Erin Helyard, Direktor
Orchestra of the Antipodes
Netia Jones directs Pinchgut Opera in a well-oiled Fairy Queen
****1
Julius Caesar – or some of it – from Pinchgut Opera
***11
Faithful to Handel: Pinchgut Opera performs Theodora
****1
A streamlined, dramatic Rinaldo from Pinchgut
****1
Baroque opera resurrected at Pinchgut: Legrenzi's Giustino
*****
Sublime performance of Buxtehude by Pinchgut Opera
*****
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