Stunning movement, slow development: Netta Yerushalmy's Devouring Devouring in NYC

Netta Yerushalmy's work-in-progress at the 92nd Street Y's Harkness Dance Festival, where the audience is given a glimpse into her world of Gertrude Stein speech and cubist art.

Luke Murphy’s duet for himself and Carlye Eckert, Drenched, was surprisingly well-suited to the smaller First Floor Theater at La MaMa Moves! festival, but failed to bring to light any new ideas or juxtapositions of its male–female relationship theme.

Having reviewed Pavel Zustiak’s Amidst, part two (of three) of his Painted Bird opus earlier this year, I was intrigued to take in the bigger picture by witnessing the entire trilogy on the occasion of its New York première at La MaMa.

Trajal Harrells moderne Choreographie erzählt die Geschichte des Romeo und sagt dabei mehr als tausend Worte...

Zwei Premieren von Marcos Morau und Yoann & Marie Bourgeois sowie Crytal Pites Paradestück Solo Echo sorgen für einen elektrisierenden Abend.

Das Stuttgarter Ballett demonstriert wieder einmal, wie sehr es sich der Tradition verpflichtet fühlt, manchmal mehr, als ihm guttut.