Veranstaltungstippsmehr...
SydneySemele
Händel: Semele
Erin Helyard; Neil Armfield; Pinchgut Opera; Alexander Berlage; Orchestra of the Antipodes; Cantillation; Eugene Lynch
SydneyBach’s Christmas Oratorio
Bach: Weihnachtsoratorium, BWV248
Australian Chamber Orchestra; Richard Tognetti; Amy Moore; Jessica O'Donoghue
Neue Kritikenmehr...
Gott berührte Adams Finger - beinahe...
Johann Sebastian Bach schrieb hunderte liturgische Werke, die meisten davon mit einer straffen Frist – der kommende Sonntagsgottesdienst. Die Komposition (so mancher würde es Kompilation nennen) der Messe in h-Moll BWV 232 aber beschäftigte ihn viele Jahre lang.
Swordplay with his Strad: Pekka Kuusisto and the ACO
Pekka Kuusisto and the ACO have 25 years of shared experience so they can rise to the occasion as soon as his bow/sword strikes his Strad.
A misshapen pearl and a dead canary in Pinchgut Opera’s latest venture
Pinchgut Opera always has a lot to offer, but this time their delivery proves patchy in ‘Coffee and a Dead Canary’.
The sublime and the rambunctious: Marc-André Hamelin in Sydney recital
Two mighty piano sonatas bookend Marc-André Hamelin's concert at Sydney's City Recital Hall.
Dreamy undertones without whirlwinds of passion: Lise de la Salle
A most appealing Romantic programme by the French pianist at Sydney's City Recital Hall, played with accurate finesse in search of emotional highlights.
God’s Holy Spirit: Reginald Mobley and the Bach Akademie Australia
A heartfelt performance from American countertenor with the Bach Akademie Australia with contrasting spiritual works by Bach and Vivaldi.
Mesmerising, but relentless Brahms and Beethoven from the ACO
Awe-inspiring performances of much loved classics in Sydney, yet the musical eyebrows have reasons to go (and stay) up.
Julius Caesar – or some of it – from Pinchgut Opera
Handel's Giulio Cesare is heavily abridged in Sydney, but generally well-performed musically, albeit with a rather awkward staging by Neil Armfield.