The sublime and the rambunctious: Marc-André Hamelin in Sydney recital

Von Zoltán Szabó, 16 September 2025

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Veranstaltung anzeigen

“seldom can one hear such demanding works in such a polished performance”

Rezensierte Veranstaltung: City Recital Hall, Sydney, am 15 September 2025

Beethoven, Klaviersonate Nr. 29 in B-Dur "Hammerklavier", Op.106

Medtner, Improvisation in B-Dur, Op.31 no.1

Medtner, Forgotten Melodies, Op.38 no. 3: Danza festiva

Rachmaninow, Étude-Tableau in es-Moll, Op.39 Nr.5

Rachmaninow, Klaviersonate Nr. 2 in b-Moll, Op.36

Debussy, Images, Set 1 no. 1: Reflets dans l'eau, for piano

Gnattali, Negaceando

Marc-André Hamelin, Klavier

Nachbarock, Neobarock, Aufgehobener Barock mit Marc-André Hamelin

Sebastian Urmoneit, 22nd May

Marc-André Hamelin bot mit CPE Bach und Beethoven einen virtuosen Klavierabend im Konzerthaus Berlin.

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Kunst kommt von Können

Benedikt Zacher, 24th February

Marc-André Hamelin ist ein bewundernswerter Künstler, dessen Recital großartige musikalische Erinnerungen schafft.

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Marc-André Hamelin surveys two centuries of piano sonatas

Sam Jacobson, 5th May

From Haydn and Beethoven to Weinberg and Rachmaninov, Marc-André Hamelin reveals the piano sonata as a form of breadth, flexibility and expressive power.

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Amy Beach’s Gaelic returns to Philadelphia after 100-year absence

Cameron Kelsall, 12th March

Conducted by Yannick Nézet-Séguin, the Philadelphia Orchestra’s latest concert also features Liszt’s Second Piano Concerto with Marc-André Hamelin.

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Marc-André Hamelin aux Jacobins : un engagement de chaque instant

Thibault d'Hauthuille, 25th September

Il n'y a pas eu de round d'observation dans le récital Haydn-Beethoven-Medtner-Rachmaninov du pianiste canadien au festival toulousain.

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Memory and timelessness: Marc-André Hamelin’s poetic piano wizardry

Michelle Assay, 23rd February

Canadian superstar pianist Marc-André Hamelin amazes and moves while hardly breaking sweat in recital at London's Southbank Centre.

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Zoltán Szabó

Zoltán Szabó is a cellist and musicologist. Having migrated from his native Hungary to Australia in 1985, he worked with the Australian Chamber Orchestra in Sydney until 1991, when he became Principal Cello with Opera Australia. In 2017, he was awarded with a Doctor of Philosophy degree (PhD). Currently, he is teaching music history and musicology at the Sydney Conservatorium of Music.

From the sublime to the rambunctious: Marc-André Hamelin in Sydney recital