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One of the most charming attributes of Montgomery's Strum is the way different individual voices rise from and fall back into a seductively colored sound canopy. 

The players demonstrated again the unity of an impromptu ensemble, although made up of instrumentalists that have played numerous times together. 

My last encounter with conductor Susanna Mälkki was her debut with the Los Angeles Philharmonic two and a half years ago. I was impressed with her crisp style of conducting that delivered near-seismic impact in Richard Strauss’ Also Sprach Zarathustra.