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A concert of “works in progress” at Zürcher Gallery in Manhattan’s East Village. 

San Francisco’s Splinter Reeds, echoing the traditional wind quintet but eschews the non-reed instruments, makes its second ever New York City appearance, part of the Earle Brown Foundation’s Time:Spans Festival.  

It would be rash to make assumptions about the composer/performer collective based on a single program, but it was still not to notice a divergence from the past in the program of world premieres.