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The superstar countertenor revisit the site of one of their early successes, with hits from Monteverdi and the court of Louis XIII. It makes for an extraordinary evening.

Considering how rarely celebrated diva Cecilia Bartoli appears in London, Wigmore Hall certainly pulled off a coup by making her duo concert with Philippe Jaroussky happen.

Though they play Baroque music, the ensemble L’Arpeggiata is more like a jazz band than a traditional orchestra. Anchored by a continuo (rhythm section?) led by artistic director and theorbist Christina Pluhar, they are joined by various other instrumentalists, singers, and even dancers, fitting each of their projects.

Pour les quinze ans de leur collaboration, le contre-ténor et l'ensemble de Christina Pluhar explorent tout le potentiel émotionnel des mélodies baroques européennes autour d'un programme porté sur l'amour.

Wie es das Paradies so an sich hat, sollte das Konzert am liebsten ewig gehen; die Begierde vergrößert sich, Beyers und Gli Incognitis Fähigkeiten wieder rasch live nah zu sein.

Le contre-ténor et ses complices ont livré un concert de haut vol, s'aventurant aussi bien dans des danses endiablées que dans des pages bouleversantes...