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Ryan Bancroft’s LSO programme, inherited from Simon Rattle, mixes attractive English folksong-inspired pieces with more challenging, late 20th-century works.

Sakari Oramo continues to champion rare English repertoire, conducting Doreen Carwithen and Malcolm Arnold at the Barbican. 

The dynamic Kahchun Wong conducts the Hallé in Beethoven's Seventh, and Colin Currie stars in James MacMillan's concerto. 

An all-British composer line-up at the Proms also included Walton's Viola Concerto, John Foulds and Charlotte Bray. 

Malcolm Arnold’s overture Peterloo presents the tragic events of the beginnings of the trade union movement. The melodramatic tragedy of Tchaikovsky’s Swan Lake closes the evening, after Juan Pérez Floristán makes his Proms debut.

The Scottish Ensemble with guitarist Sean Shibe perform a thoughtful programme of ancient and modern Christmas-themed music in a candlelit St John’s Kirk.

The Palestine Youth Orchestra on their first UK tour perform a lively mix of Western and Arabic music with passion and a strong humanitarian message in the programming.

Mozart and the Brits offered the chance to hear Britten and rarely performed Malcolm Arnold, courtesy of the Sydney Symphony. 

In this double bill, we get a violently enthusiastic little farce from Donizetti which, though fiery, is definitely not his best work; but next, we are treated to the revival of a brilliant, beautiful one-act opera by Malcolm Arnold. 

Sakari Oramo takes the reins for his first Last Night of the Proms, alongside dazzling violinist Janine Jansen and the BBC Symphony Orchestra.

Jamie Phillips and The Hallé orchestra brought an evening of mystery and magic to Manchester in a programme of English classics.

There was a noticeable difference in the audience who had come to this Prom from those who had attended the rather more serious Proms in the preceding week: colourful clothing. Gone were the sombre suits; in came casual summer dress in every imaginable colour under the sun.

Unless you’re actually performing it liturgically, it’s very difficult to know what to do with sacred music these days. The masses of Palestrina, the motets of Byrd, the cantatas of Bach – all seem to merit our attention today, but not for the religious reasons for which they were originally written.

The Royal Overseas League (RSOL), occupies the auspicious address of 100 Princes Street, Edinburgh. It looks out over the city's historic skyline, the most westerly point of which is the prominent Castle Rock.19-year-old local guitarist Sean Shibe is the winner of the 2011 ROSL Annual Music Competition, Strings Section – only the second guitarist in 59 years achieve this.

Las cuerdas fueron el gran protagonista del concierto que la Orquesta Sinfónica de Navarra ofreció el pasado viernes el en Baluarte. Bajo la batuta del británico Rumon Gamba y acompañadas por el guitarrista australiano Craig Ogden, la OSN fue al centro de una ejecución acariciante al estilo New Age.