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Another day, another impeccable concert by Ensemble 360 and friends at this year’s Sheffield Chamber Music Festival.

A concert at 07:30 am? In a cemetery chapel? It must be the Sheffield Chamber Music Festival!

Singers Susanna Phillips, Michelle DeYoung and Ben Bliss impress in an intimate performance with members of the Met Orchestra.

Some 350 years after their composition, Heinrich Biber’s Rosary Sonatas might not retain their all of their mysteries, but their beauty is eternal. 

Ensemble 360’s Music in the Round concert is a homage to the 20th-century English industrialist Walter Willson Cobbett... and also to the enduring popularity of The Lark Ascending. 

The name given to TAK's program was “Holding”. Were we being cared for or were we simply stuck waiting? Was this a respite or a reserve? 

Ensemble 360 offer a game of two halves at the Sheffield Crucible Playhouse, pairing works by Pavel Haas and Leoš Janáček. 

On a short UK tour, players from Juilliard415 and the Yale Schola Cantorum perform Bach’s Mass in B minor for the first time, conducted by David Hill.

Saint-Saëns’ music offers artistry and beauty without the intrusion of personal feeling – which he abhorred – as this mesmerising concert by Ensemble 360 confirms.

Arresting performances within an immersive evening inspired by the work of Richard Dehmel and Arnold Schoenberg.

Composed for Baroque and modern players with Gertrude Stein’s spoken text, Heiner Goebbels Songs of War I Have Seen in an intriguing performance conducted by Ellie Slorach. 

A centenary celebration of György Ligeti from Ensemble 360 in a concert of vibrant 20th-century music from Eastern Europe. 

In their “Visionary Sounds” concert, the ensemble lets Eastman's Stay On It fall into abandon at times... but never without a plan.