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A new opera by Gregory Spears subverts the Sleeping Beauty trope, with middling results.

The intrepid company brings Damiano Michieletto’s well-traveled production of a Rossini rarity to the US for the first time. 

The new opera by Missy Mazzoli and Royce Vavrek draws on cult mindsets and conspiracy theories but smartly avoids sensationalism. 

In his role debut as the Genoan Doge, the American baritone continues to burnish his bona fides as the premier Verdi baritone of his generation.

In this world-premiere work, which opens Opera Philadelphia's Festival O23, composer Rene Orth and librettist Hannah Moscovitch dramatize and deconstruct the true story of Nellie Bly's commitment to a mental asylum.

Yuval Sharon's La bohème for Opera Philadelphia proves a mix of great singing and disorienting navigation. 

Carl Orff's bawdy choral work shares a program with the sweet and sincere Credo, a rediscovered work by the American composer and arranger Margaret Bonds.

Lawrence Brownlee further cements his status as the world's leading bel canto tenor with a blazing performance as Rodrigo, the unlikely central figure in Rossini's rendering of the Shakespearean tragedy.

The company returned to its home at the Academy of Music after three years with a brutalist take on Verdi's middle-career masterpiece.