Cameron Kelsall is a classical music and theater critic based in Philadelphia. He is a member of the Society of Professional Journalists and is Vice Chair of the American Theatre Critics Association. In addition to Bachtrack, his writing appears in Opera News, Parterre Box, Classical Voice North America, Broad Street Review and the Philadelphia Inquirer. He is a proud graduate of Ohio University. A hobbyist musician, Cameron plays piano, clarinet and saxophone. Twitter: @CameronPKelsall
Yannick Nézet-Séguin leads Dawson's first appearance in a subscription concert just this week, programmed alongside Robert Schumann's Piano Concerto with rising soloist Tony Siqi Yun.
The popular pianist performs all four of the Russian composer's piano concertos, plus his Rhapsody on a Theme of Paganini, over the course of two nights at Verizon Hall.
Franz Welser-Möst creatively fused Schubert's “Unfinished” Symphony with Berg's Lyric Suite, before leading an opulent performance of Mass no. 6 in E flat Major.
The young American conductor leads propulsive readings of Ravel and John Adams in his Philadelphia Orchestra debut, and partners perfectly with soloist Augustin Hadelich in Sibelius' Violin Concerto.
A season in Verizon Hall rarely goes by without a performance of Dvořák’s New World Symphony, yet the Principal Guest Conductor brings new insights to the fore of this familiar piece.
In 2018 Israeli conductor and pianist Lahav Shani was appointed chief conductor of the Rotterdam Philharmonic at the age of 27 – becoming one of the youngest chief conductors anywhere in the world. He discusses the orchestra’s musical adaptability, precision, and ability to dig deep.
Yannick Nézet-Séguin and the Philadelphia Orchestra pair Clara Schumann's inventive Piano Concerto in A minor with Florence Price's fascinatingly complex Third Symphony, bookended by unnecessary Ravel.
In her first appearance with the orchestra this season, Nathalie Stutzmann offers overly tentative readings of Verklärte Nacht and Siegfried Idyll, alongside perfunctory excerpts from Don Giovanni.
A violinist since the age of four, Huang tells us about her journey to the Indianapolis final and the ironclad preparation discipline that led to her win.
The young violinist continues the ongoing rediscovery of American composer Florence Price, premiering new editions of her First and Second Violin Concertos.
Lawrence Brownlee further cements his status as the world's leading bel canto tenor with a blazing performance as Rodrigo, the unlikely central figure in Rossini's rendering of the Shakespearean tragedy.
The gala audience rejoices in Lang Lang's virtuosic performance of Saint-Saëns’ Second Piano Concerto, while Yannick Nézet-Séguin offers a revelatory reading of Dvořák’s Eighth Symphony.
Ending her first season as principal guest conductor, Stutzmann brought a unique and personal perspective to the Pathétique, finding inspiration in the letter of the score.
