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Schoenberg's modernist masterpiece gets lost in a fog of words and feral newsprint at the Southbank Centre's Purcell Room. 

If you go to enough concerts, it’s bound to happen to you every now and then: the programme includes a work that you weren’t particularly looking forward to, and the performers blow you away, utterly transforming your view of the piece. In this case, the performers were Camerata Bern and the work was Bartók’s Divertimento for strings.

Habité par son personnage, la violoniste, chanteuse, compositrice et comédienne livre une performance de premier choix avec des partenaires au diapason.