The first piece at this afternoon concert, in the beautifully restored Clothworkers Centenary Concert Hall in the School of Music at Leeds University, dated from 2004: the song-cycle In Praise of Dreams, four poems by the Nobel prize-winning Wisława Szymborska translated from the Polish by Stanislaw Baranczak and Clare Cavanagh, composed by Birmingham-based Joe Cutler.
There is usually a good reason why operas which lie unperformed for many years do so – some flaw in the plotting, characters who fail to interest an audience, or musical langueurs. It was therefore with somewhat low expectations that I went to Hampstead Garden Opera’s production of Vaughan Williams’ Hugh the Drover. Imagine my surprise and delight.
