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Ole Anders Tandberg's edgy take on Bernstein's satirical operetta is lifted by some good performances but marred by an overpowering orchestra.

A semi-successful production with an interesting underlying idea and a solid cast brings Bizet’s masterpiece back to Stockholm.

Carè, Katzarava and Treichl give committed performances in a reprise of Cavanagh’s production.

Domingo Hindoyan conducts a cast of Swedish performers in Verdi’s masterpiece, for the Baltic Sea Festival.

Sven-David Sandström’s new chamber opera fails to provide an authentic voice to a trio of 19th-century female mental patients.

Le nozze di Figaro is called Figaro’s Bröllop in Swedish, which sounds quite funny to ‘non-Svensks’. With Marcellina behaving like a total trollop, all that is needed to complete the rhyming triplet are the Wallops at Glyndebourne.