My last encounter with conductor Susanna Mälkki was her debut with the Los Angeles Philharmonic two and a half years ago. I was impressed with her crisp style of conducting that delivered near-seismic impact in Richard Strauss’ Also Sprach Zarathustra.
For more than half a century since the 1960s, several productions featuring some of the best-known celebrities in the opera world have set high standards for Puccini’s Tosca, that “shabby little shocker,” as a musicologist once called it.
