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The young Handel's homage to Counter Reformation Rome, La resurrezione, is effectively brought to life by Opera Atelier with glittering sets and fine, stylish singing.

Charpentiers “biblical tragedy” exudes energy, with Reinoud van Mechelen an outstanding David and fabulous period playing from Gaétan Jarry and his Ensemble Marguerite Louise.

Opera Atelier presents a double bill at the Royal Opera in Versailles filled with Baroque dancing, scenery and music.

A stellar cast and a new, old-fashioned production bring back Ricciardo e Zoraide to Pesaro after 22 years.

Opera Atelier's return to the earliest part of the repertoire with Monteverdi's Il ritorno d'Ulisse in patria showcases their strengths in a relatively restrained production anchored by a strong ensemble cast.

Opera Atelier’s latest production mixes traditional-specific touches the company is known for, and more high-concept inclusions. The results are mixed — but the singing is spectacular.

With sumptuous design, delightful choreography, and exceptional musicality, Opera Atelier’s Persée is a feast for the eyes and ears.

Opera Atelier espouses truth in advertising: The Magic Flute, they tell us, is a Singspiel in two acts. You can call it a play with songs, a musical comedy, even an operetta, but hardly an opera in the traditional sense. Call it what you will, this is Opera Atelier’s fourth production of the work in the last 22 years.

Opera Atelier has made its reputation as a producer of 17th- and 18th-century operas for more than a quarter of a century, based at the elegant Elgin Theatre in Toronto since 2000. This year it has made a leap into another era and another century with a gorgeous production of Carl Maria von Weber’s Der Freischütz.