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Students triumph in Tchaikovsky's Iolanta and Ravel's L'Enfant et les sortilèges.

Brecht and Weill's tirade against Big Money is exceptionally well acted throughout; vocal and musical performances are more mixed.

In Shoreditch, the Royal Academy of Music showed off some superb singing in a chilling exploration of tyranny and unrestrained power.

A polished production of The Marriage of Figaro from some of the potential opera stars of the future.

Symphonic evocations of ancient Rome and 1950s Los Angeles filled the Royal Albert Hall last night, with John Adams conducting a combined orchestra of students from London's Royal Academy of Music and New York's Juilliard School. Between these pieces, by Respighi and Adams himself, the players were joined by pianist Imogen Cooper for Ravel's G major concerto.