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Salvatore Viganò's choreography for Beethoven's 1801 ballet Prometheus has not survived, but a trio of creators put their own stamp on the score in Amsterdam.

A complete roster of principal dancers appear in a gala full of the joys of spring. 

Dutch National Ballet presents six Hans van Manen creations spanning 40 years of choreography. 

The concept of bringing opera and ballet together in an abstract production is interesting, but Sasha Waltz creates a cold universe that fails to convey strong emotions.

From the moment the curtain went up, there was no doubt that San Francisco Ballet had another evening of fabulous ballet in store for the audience at Sadler’s Wells, many of whom had been there the night before for Programme A.

Der Abend verdeutlicht, was Hans van Manen auszeichnet: ungeheure Musikalität und Konzentration auf das Wesentliche.