Articles by Mark Pullinger

Broken wings: Ermonela Jaho a devastating Madama Butterfly at Covent Garden

By , 28 March 2017
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Mediterranean heat: a scorching Daphnis et Chloé from Altinoglu and the LSO

By , 24 March 2017
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Bitter wine: Frank Martin's Le Vin herbé an acquired taste

By , 22 March 2017
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A Verdi pilgrimage to Liège for Jérusalem

By , 18 March 2017
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Scattering clouds: Ekaterina Semenchuk presents The Mighty Handful at Wigmore Hall

By , 13 March 2017
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Soul Music: Narek Hakhnazaryan “unwraps” Russian and Armenian cello repertoire at King's Place

By , 12 March 2017
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A hymn to a pure and noble spirit: bracing Prokofiev from Dutoit and the RPO

By , 08 March 2017
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Bringing world culture to Oman’s doorstep: the Royal Opera House Muscat

By , 07 March 2017
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Puccini without passion: a bloodless Tosca from English Touring Opera

By , 05 March 2017
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“Wish you were here!” Picture-postcard Spain from Heras-Casado and Perianes

By , 03 March 2017
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“A sad tale’s best for winter”: Wigglesworth's Shakespeare full of eloquent clarity at the Coliseum

By , 28 February 2017
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Good hunting and friendly conversation: Artemis Quartet and Anna Vinnitskaya at Wigmore Hall

By , 24 February 2017
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“Throwing paint at the canvas”: Ryan Wigglesworth on composing his first opera

By , 24 February 2017
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“It’s not a Cinderella story”: Kristine Opolais on returning to Rusalka

By , 24 February 2017
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Brian Jagde on flawed characters and finding his voice

By , 23 February 2017
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Black Angels: Kopatchinskaja and Jurowski brush with death

By , 23 February 2017
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Blank canvas: Pallid Berlioz from the Orchestra of the Age of Enlightenment

By , 21 February 2017
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No cookie cutter soprano: Joyce El-Khoury on Violetta… and why Musetta is such fun

By , 21 February 2017
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“On stage, your soul is naked”: Ermonela Jaho on her heartbreaking soprano roles

By , 17 February 2017
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“It boggles my mind!" Stuart Skelton on opera direction and tackling Tristan

By , 15 February 2017
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