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Articles by Mark Pullinger

Mark Pullinger
Mark Pullinger

Full of eastern promise: Mârouf, savetier du Caire at the Opéra Comique

By , 24 April 2018
****1
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Russian flames: Nemanja Radulović and Kirill Karabits set The Anvil alight

By , 20 April 2018
*****
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Postcard from Rome: all roads lead to the Eternal City

By , 20 April 2018
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The art of good conversation: an engaging evening of Haydn with the Castalian Quartet

By , 18 April 2018
****1
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From Riga to Munich: Mariss Jansons on his musical journey

By , 18 April 2018
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Opera is essential to today’s society: Serge Dorny on Opéra de Lyon's DNA

By , 11 April 2018
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Time-travelling back to 1900: an eye-popping Tosca in Rome

By , 08 April 2018
****1
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Opera as circus: a controversial Cav & Pag double bill in Rome

By , 06 April 2018
**111
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Reigning in London: an audience with Anna Netrebko and Yusif Eyvazov

By , 03 April 2018
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Energy and punch: Sian Edwards on conducting Turnage's Coraline

By , 02 April 2018
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Byron writes himself the lead role in Verdi's Il corsaro in Valencia

By , 29 March 2018
***11
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Reflections on Claude: Mirga's Debussy Festival in Birmingham

By , 25 March 2018
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Debussy centenary: a top ten playlist

By , 23 March 2018
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A polished London debut recital from George Li

By , 21 March 2018
***11
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Darkness and grandeur in Christophe Honoré's staging of Don Carlos for Opéra de Lyon

By , 18 March 2018
****1
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Macbeth, Thane of Wall Street: Lyon's Verdi Festival launches with “the Scottish opera”

By , 17 March 2018
***11
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Dove's Flight takes off superbly to launch Royal Academy's new theatre

By , 13 March 2018
*****
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“There are rewards in taking risks”: Patricia Kopatchinskaja on new music and innovation

By , 08 March 2018
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Brooding Tabarro and a humdinger of a Gianni Schicchi from ETO

By , 03 March 2018
****1
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Hot ice and strange snow: an unseasonal return for Carsen’s bed-hopping Dream

By , 02 March 2018
****1
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