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Latvian soprano Marina Rebeka sings Violetta in Lorenzo Amato's traditional – but damp – staging. 

Rudolf Nureyev's typically intricate choreography serves the Royal Swedish Ballet well, showing off the virtuosic talents throughout the ranks as well as the principal dancers.

Angel Blue and Jonathan Tetelman star in a revival of Nicolas Joël’s 2008 production of the Italian master’s sole attempt at crossover. 

Lluís Pasqual's production falls short of expectations, despite featuring a cast of opera stars led by the exceptional Anna Netrebko under the meticulous direction of Riccardo Chailly.

A good, mostly Italian cast brings alive one of the most famous productions by the great director Giorgio Strehler, under the baton of Andrés Orozco-Estrada.

Lorenzo Amato penetrates deep into the recesses of Bellini's opera. 

A production apt for audiences who prefer a traditional, intimate staging of the most often performed of all operatic works.

A suggestive staging barely supported by the musical side

This production of Norma was definitely the best staging seen at the San Carlo in recent years.

Leo Nucci visceral animal of the stage has over 500 performances of the role under his belt, and, at the age of 73, he now eats this operatic challenge for breakfast

The POB struggles to connect to the Nureyev legacy, in an underwhleming performance of La Bayadère. 

A great love story as well as a cultural and musical shock as it has been from the beginning, this performance of Tristan und Isolde in Naples was led by an inspired Zubin Metha.