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Sir David McVicar's unassuming production fails to engage with the political side of Verdi's masterpiece, despite good conducting by Nicola Luisotti and some good singing by a solid cast. 

Jamie Barton stole the show in a lacklustre concert performance in Madrid.

Romeo Castellucci's captivating Moses und Aron was a major success, a bold reminder of the boundless power of opera.

Kasper Holten's new production fails to convince about the alleged virtues of Wagner's outcast comic opera.

In the opening night of Teatro Real's new season, Mariella Devia proved why she is one of the best bel canto singers of the last decades.