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An especially adapted version of Purcell's Fairy Queen, reworked by Timothy Nelson, inspires an exceptional reading from a talented young cast at Iford. 

A reconstruction of a long-lost opera by Handel gives some exciting young singers the chance to shine at the London Handel Festival, even if the plot might be better back in the mists of obscurity. 

Despite a disappointingly static production, the cast shine in the Royal College of Music's producion of Handel's rarity Arianna in Creta.