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A conventional and quite predictable staging of Lehár’s most famous operetta was saved by dedicated musicians.

The marriage between performers and score here is perfect, because Gershwin’s text-setting is near-miraculous, somehow every word is clear and seems to be naturally inflected by the curvature of the musical line.

The production of Die Fledermaus currently onstage at the Lyric Opera is smart, goofy and not too fussed about keeping all its parts under tight control.

“Nibble, nibble, like a mouse – who is nibbling at my house?” As a preschooler, I used to giggle with glee when I would hear this quote from the wicked witch in Hansel and Gretel. No doubt the story was dark, yet Eloise Wilkin’s delightful illustrations and the touching message of brother/sister love enticed me to return frequently to this beloved tale during nightly story time.