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Erlanger's fractured and clichéd opera isn't helped by confused direction, although soprano Andreea Soare is nothing short of magnificent as the heroine. 

Dvořák’s final opera gets a rare staging outside its Czech homeland, at Wexford – the festival where dead operas return to life.

To those unfamiliar with Victor Ullman’s Der Kaiser von Atlantis, oder Die Tod-Verweigerung, the story of the work’s inception is almost as gripping as the libretto itself. 

A very creative reading – both scenically and musically – of Engelbert Humperdinck’s fairy tale opera Hänsel und Gretel for Theater an der Wien's final production of the season at the Kammeroper.