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Peter Eötvös' 13th opera – the first in his native Hungarian – premieres at the Eiffel Art Studios in Budapest. 

Balázs Kovalik’s interpretation of Elektra is revived in Budapest, impressing until the B-movie cliché finale. 

The RLPO impresses in a sensitive concert staging of Bartók's operatic masterpiece, with intense singing from Károly Szemerédy and Adrienn Miksch.

A compelling rendition of Dvořák’s infrequently heard Requiem. Conductor Ringborg brought the work to life inspiring both the RTE NSO and the chorus. They were joined by a strong quartet of solo voices.

If you had received an invitation to a masked ball at which there turned out to be no masks and no dancing, it's understandable you'd feel disappointed. 

A double bill of operas that were literally made for each other, Péter Eötvös wrote his one act masterpiece Senza sangue in 2015 to act as a partner piece for Bartók's Duke Bluebeard’s Castle.

Opening the weekend that marked the 60th anniversary of the Hungarian revolution, The Mine (A Bánya), the first of Rautavaara's nine operas, dramatizes events from those turbulent times. 

Hungarian composer Dohnányi's fourth and last opera is a comic delight, especially in the hands of the team at the Budapest Opera.