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Melbourne Opera maintains the high standard of its all-Australian endeavour to the very end in a triumphant Götterdämmerung.

Yuri Possokhov's Anna Karenina aims to be a dark psychological drama, but its uneven character development and unengaging choreography fail to satisfy.

Victorian Opera’s world première of The Riders, based on Australian author Tim Winton's novel, is an engrossing work of serious substance.