An outstanding cast headed by Karah Son in the title role provides a fitting send off for Opera Australia’s much-loved production of Madama Butterfly in Sydney
There is nowhere to hide in Madama Butterfly. It is a well-known opera, contains very little in terms of stage action and changing scenery, is intensely lyrical in its vocal writing, and its orchestral writing is exposed. None of these factors bothered Opera Australia in their latest production, which was superb from beginning to end in every respect.
