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Odyssey Opera gives the US première of the original three-act version of L'assedio di Calais, with every note Donizetti wrote in 1836.

An intriguing performance of a wonderful, psychological opera that needs to be heard much more frequently this side of the Atlantic.

With so many performances of Handel’s Messiah popping up around the holidays, how’s one to choose?

Seuls l'excellent baryton James Westman dans le rôle-titre de Nabucco et l'impressionnante tenue du chœur ont sauvé la dernière production de l'Opéra de Québec.