Kevin Wells was bitten by the opera bug at 10, having heard a 1936 recording of Jussi Björling singing “Che gelida manina”. He has never been the same since. A student of voice, performance practice, the history of singing and opera, he holds advanced degrees in Italian and has lived and worked in Italy off and on since the 70s. La Scala became a second home as the Met had been during college daze. Now in his native Boston, he works as translator, tutor, and language coach, haunts Symphony Hall, and would haunt the Opera House had it not been demolished in 1958!
The Boston Symphony Orchestra meet the virtuosic demands of Bartók's Concerto for Orchestra with impressive ease; Mozart's Piano Concerto no. 9 is played with skill and accuracy by Seong-Jin Cho.
With the audience increasingly familiar with John Williams' Second Violin Concerto, its architecture and emotion become much clearer than at its 2021 premiere.
In her final appearance as the Boston Symphony Orchestra’s Assistant Conductor, Anna Ratikina leads a fine programme of Prokofiev, Paganini and Ellen Reid.
Lahav Shani brings a kinetic presence to the Boston Symphony podium in a concert featuring Prokofiev, Rachmaninov and Jean-Yves Thibaudet playing Saint-Saëns.
Alan Gilbert turns the usual concert format on its head, ending his program with Dvořák’s Carnival Overture to follow a trio of works new to the orchestra.
