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Odyssey Opera makes a convincing case that The Last Savage’s time has come.

Gil Rose conducts all three of Rachmaninov's operas in Boston, with impressive performances making a convincing case for at least two of them. 

Odyssey Opera’s convincing revival of flawed Pacini in Boston.

A concert performance in Boston of Strauss' rarely heard opera, The Egyptian Helen. 

Helen of Troy is the theme for this half of Odyssey’s season, launched with Gluck's rarity. 

A Gounod rarity comes to Boston for a concert performance under the ever-enterprising Gil Rose.

Odyssey Opera comes full circle closing its season “Trial By Fire“ with another opera rooted in Schiller’s Die Jungfrau von Orléans, Giovanna d’Arco. Verdi’s seventh opera is an uneven, retrograde effort which fails to mine further the rich vein he had struck in Ernani.

Disparaged by critics and his fellow musicians, Tchaikovsky's The Maid of Orléans is performed by Odyssey Opera. 

A concert performance of Dvořák’s Dimitrij opened the fourth season of Boston’s intrepid Odyssey Opera, constituting the US première of Milan Pospíšil’s 2004 critical edition of the original 1882 score.