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Jukka-Pekka Saraste’s Pittsburgh program makes a strong impression in coloristic works from the early 20th century, while pianist Tom Borrow has a memorable debut.

Tianyi Lu draws on the individual and collective virtuosity of the LPO to make an impressive debut in Rimsky-Korsakov, while Tom Borrow underplays the imperial qualities of Beethoven's “Emperor” Concerto. 

How various the orchestral sounds of this era -  here were four in one programme, written between 1913 and 2000, by an Englishman, a Frenchman, a  Greek and a Russian.

Conductor Thierry Fischer steps in at short notice to conduct an early work by Messiaen, Mussorgsky’s Pictures at an Exhibition and Ravel’s Piano Concerto in G major – a triumph for all concerned.