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Bernstein, Thomas, Copland
Cleveland Orchestra; Brett Mitchell; William Preucil
Bach: St John Passion, BWV245
Cleveland Orchestra; Franz Welser-Möst; Maximilian Schmitt; Andrew Foster-Williams; Lauren Snouffer; Iestyn Davies
Cleveland Orchestra; Franz Welser-Möst; Seraphic Fire; Cleveland Orchestra Chorus
Handel, Rameau, Purcell
Cleveland Orchestra; Harry Bicket
Latest reviewsSee more...
Cédric Tiberghien was the astonishing soloist in Saint-Saëns’s “Egyptian” Concerto, with works by Pintscher, Schoenberg and Debussy’s La Mer filling out the program.
Katia and Marielle Labèque were memorable in Mozart’s Concerto for two pianos, K.365.
Michelle DeYoung and Paul Groves were the soloists in Mahler’s late “symphony with solo voices.” The concert opened with a classically balanced reading of Schubert’s “Unfinished” symphony.
Yefim Bronfman was the astonishing piano soloist for the Cleveland premiere of of Jörg Widmann's Trauermarsch. Franz Welser-Möst then led a transporting performance of Bruckner's Seventh Symphony.
This unusual program had the unlikely pairing of Schoenberg's Piano Concerto and Gershwin's Rhapsody in Blue, for which Kirill Gerstein was a brilliant soloist.
D'Orazio proved in a program that included Berio's Sequenza VIII why he is a leading exponent of contemporary violin composition.