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Cleveland Orchestra; Christoph von Dohnányi; Michelle DeYoung; Paul Groves
Cleveland Orchestra; Semyon Bychkov; Katia Labèque; Marielle Labèque
Pintscher, Saint-Saëns, Schoenberg, Debussy
Cleveland Orchestra; Matthias Pintscher; Cédric Tiberghien
Bernstein, Thomas, Copland
Cleveland Orchestra; Brett Mitchell; William Preucil
Bach: St John Passion, BWV245
Cleveland Orchestra; Franz Welser-Möst; Maximilian Schmitt; Andrew Foster-Williams; Lauren Snouffer; Iestyn Davies
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Yefim Bronfman was the astonishing piano soloist for the Cleveland premiere of of Jörg Widmann's Trauermarsch. Franz Welser-Möst then led a transporting performance of Bruckner's Seventh Symphony.
This unusual program had the unlikely pairing of Schoenberg's Piano Concerto and Gershwin's Rhapsody in Blue, for which Kirill Gerstein was a brilliant soloist.
D'Orazio proved in a program that included Berio's Sequenza VIII why he is a leading exponent of contemporary violin composition.
Paired with the Britten’s early Sinfonia da Requiem, Beethoven’s “Fateful Fifth” sounded unexpectedly fresh.
In this all-Prokofiev concert James Ehnes was a refined, precise soloist in the Violin Concerto no. 1.