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Aribert Reimann's Lear takes no prisoners in a disturbing portrayal of a world gone awry, but Barbora Horáková's scattergun direction adds to the confusion. 

Choreography isn't the only thing lacking in Alexander Zemlinsky's comic gem Kleider machen Leute.

A strong international cast and fine musicianship from the orchestra carries on Strauss's legacy with a smart, antic romp.

“An eye for an eye, a kiss for a kiss,” declares Madeleine in the knock-down battle of the sexes that is Paul Abraham's rarely staged operetta.