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Sasha Cooke’s thoughtful role debut anchors Paul Curran’s visually and musically alert but dramatically uneven production.

Lawrence Brownlee further cements his status as the world's leading bel canto tenor with a blazing performance as Rodrigo, the unlikely central figure in Rossini's rendering of the Shakespearean tragedy.

A wonderfully realized production at San Francisco Opera of Jake Heggie's operatic version of a holiday classic. 

El Teatro Colón acogió con entusiasmo una velada que, con una producción modesta pero guiada por una idea escénica clara, consiguió acercar con ingenio un título raro y juvenil de Mozart.