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Marlis Petersen's Alcina bloomed for a knockout “Ah! mio cor!” just in time for intermission.

A staged performance of Handel’s pasticcio opera Oreste shows a strong narrative structure and provides a vehicle for promising young singers.

Kay Link's new production of Handel's pasticcio Oreste is surprisingly strong theatrically, often musically too. 

At the Theater an der Wien, director Mariame Clément and novelist Lucy Wadham have crafted innovative material that brings the old-fashioned lyrics to life in a coherent and contemporary dramatic setting.