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The second programme of Norwegian National Ballet's Kylián festival, Day After Yesterday, features four older works, including Petite Mort and No More Play which are unquestionably highlights of his expansive repertoire.

The Wings of Time festival in Oslo this summer is the most comprehensive collection of Czech choreographer Jiří Kylián’s work ever presented. 

In a quadruple bill of contemporary works, The Royal Ballet's dancers shine in this diverse programme, creating an immersive experience.

The Australian Ballet's impressively-danced Kunstkamer is a work of astonishing scale, originality, and warmth, choreographed by Paul Lighfoot, Sol León, Marco Goecke and Crystal Pite.

Kyle Abraham's The Weathering doesn't feel particularly fresh on its premiere, but Crystal Pite's Solo Echo and Christopher Wheeldon's Danse à Grande Vitesse pep up the first triple bill of the season at Covent Garden. 

The first post-lockdown performance by The Royal Ballet offer an important indicator for the company's future.

The Hungarian Nation Ballet presents a stunning programme in which Kyliàn's Black and White masterpieces are paired with Lander's polished Études. 

In the relaxed time between Christmas and the New Year celebrations the Staatsballet Berlin brilliantly performs a the Duato | Kylián programme.

Jiří Kylián stellt in seiner einzigartigen Choreographie die Frage, welche Funktion der Mensch in der Welt allgemein und in der Gesellschaft im Besonderen hat.