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StuttgartKirill Gerstein | City of Birmingham Symphony Orchestra
Weinberg, Schumann, Prokofiev
City of Birmingham Symphony Orchestra; Mirga Gražinytė-Tyla; Kirill Gerstein
StuttgartThe Robber HotzenplotzWorld premiere
Schwab: The Robber Hotzenplotz
Florian Ziemen; Elena Tzavara; Staatsoper Stuttgart; Elisabeth Vogetseder; Rainer Eisenbraun; Staatsorchester Stuttgart
StuttgartLa Cenerentola (Cinderella)
Rossini: La Cenerentola (Cinderella)
Vlad Iftinca; Andrea Moses; Staatsoper Stuttgart; Susanne Gschwender; Werner Pick; Reinhard Traub; Staatsorchester Stuttgart
StuttgartGrubinger & Slobodeniouk
Bjarnason, Stravinsky
SWR Symphony Orchestra; Dima Slobodeniouk; Martin Grubinger
StuttgartLa Dame aux camélias
Chopin: La Dame aux camélias
John Neumeier; Stuttgart Ballet; Wolfgang Heinz; Jürgen Rose; Staatsorchester Stuttgart
StuttgartGötterdämmerungNew production
Wagner: Götterdämmerung
Cornelius Meister; Marco Štorman; Staatsoper Stuttgart; Demian Wohler; Sara Schwartz; Kai Luczak; Staatsorchester Stuttgart
Latest reviewsSee more...
Bang to rights: a rare outing for an opera from the former GDR
Die Verurteilung des Lukullus, Paul Dessau and Bertolt Brecht's political satire about a Roman general judged for his deeds after death, has lost none of its relevance in Staatsoper Stuttgart's new production.
Alina Ibragimova and Nils Mönkemeyer in love with Mozart
The soloists turn out to be the perfect couple, while the camerawork covers the action like it was a soccer match.
Freshly hatched: Gauthier Dance's Dying Swans Project
A very mixed set of filmed solos themed around The Dying Swan, although this link was often tenuous.
Spookiness in Stuttgart with Eschenbach and Kopatchinskaja
The darker sides of Romantic inventiveness are explored in Schumann’s neglected violin concerto and the clandestine woodland rustle of Dvořák’s G major symphony.
In Konwitschny's modern Medea, monsters are made by men
Director Peter Konwitschny's staging of Cherubini's Medea critiques rejection and mistreatment of refugees. A strong new German translation and a talented cast make this a must-see.
Rousseau and a boxing ring: Ariodante in Stuttgart
In Jussi Wieler and Sergio Morabito’s pugilistic production of Ariodante, the singers needed as much physical and gymnastic dexterity as vocal finesse.