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Costumes play a big part in the production but is her extraordinarily youthful athleticism and her intimate and absorbing performance that are most memorable.

Olga Pericet's choreography grasps the essence of of the exceptional flamenco dancer Carmen Amaya.

In a production that proposes a revision of flamenco from its roots, stripping it of all the clichés and stereotypes that are currently weakening its essence, Fernandez’s mighty dancing and Pericet’s farsighted crafting and superb performance are extraordinary examples of the best artistic proposals that flamenco dancing can produce nowadays.

Paso a dos is exactly what it claims to be – a perfect Spanish pas de deux or dance for two.

Las sutiles estampas goyescas y el frágil entramado del retablo cargan con el peso de una relectura con aspiraciones oníricas que se torna pesadilla.