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Sven-Erich Bechtolf's staging of Wagner's Ring returns with Franz Welser-Möst at the helm for the final time, having recently announced his retirement of the cycle from his repertoire. 

Director Federico Tiezzi's production offered an intimate interpretation of the second opera in the Ring cycle.

Stoyanova’s extraordinary performance as the Feldmarschallin made 394th revival of Otto Schenk’s 1968 production of Der Rosenkavalier an occasion to savor.

Wagner demands vocal resilience from the large cast of singers in Das Rheingold, but Willy Decker wants strong thigh muscles as well.

The Wiener Staatsoper revives a beautiful production of Daphne that juxtaposes myth, dream and reality, with brilliant vocal performances by the two leads.

Strauss' penultimate opera is treated to a lavish if superficial staging at the Salzburg Festival, but the real rewards come from the musical performance of this unjustly neglected work.

Soprano Regine Hangler and tenor Andreas Schager made their Cleveland debuts in Strauss’s most difficult to cast opera, accompanied by virtuoso playing from the orchestra.

Tout au long de la représentation, on a l'impression de feuilleter l'un de ces beaux livres de contes illustrés par Gustave Doré qui font les souvenirs d'enfance, ou de retrouver l'atmosphère des premiers Walt Disney.

Franz Welser-Möst nimmt Abschied von Richard Wagners Ring des Nibelungen und triumphiert an der Wiener Staatsoper mit seinem letzten Zyklus.

Die schwedische Sopranistin fuhr an einem unvergesslichen Abend einen letzten Brünnhilden-Triumph ein.

Lise Davidsen und Nina Stemmen sorgen am Haus am Ring für einen fulminanten Wagner-Abend.

Eine fast völlig neue Besetzung bringt frischen Wind in Sven-Eric Bechtolfs statische Inszenierung.