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Robert Treviño and the CBSO channel the stylistic shifts of Mahler’s Symphony no. 10 to reveal a work volatile and painful, yet bristling with life to the last. 

Where angels fear to tread? Günter Wand held back until he was in his sixties before daring to conduct this work. Robert Trevino (born 1984) sees no reason to wait.

At the helm of a highly responsive Bournemouth Symphony Orchestra, Robert Trevino led commanding performances of two Russian symphonies and a forthright account of Szymanowski's First Violin Concerto.

Curate's eggs are surprisingly common in the musical world: a disappointing concerto performance from an off-form Alexei Volodin but impressive results from Robert Trevino and the RPO in the main work.

Robert Trevino conducts the RLPO in a stormy Mahler 5th after a deeply personal account Mozart's Clarinet Concerto by Julian Bliss

If there's any way to characterise Trevino's approach to Mahler, it is that he is neither bashful nor shy. 

Robert Treviño conducts the LPO in tension-filled accounts of Rachmaninov and Mahler. 

Mixed performances from Poole but with an unforgettable Symphonie fantastique that was both illuminating and electrifying.

Nietzsche's Midnight Song is the stillest piece of music in all Mahler, and Treviño’s poise and Larsson’s rich voice cast a powerful and profound spell.