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Angela Brower steals the crown in the final instalment of Jetske Mijnssen’s Donizetti trilogy with a voice of apparently limitless emotional range. 

The refurbished Beacon stages a world premiere of a large choral work which imbues complete empathy for one migrant and his story.

Inspiration eludes the director as a new staging of Saint-Säens’ biblical epic falls flat but for some excellent musical performances led by outstanding mezzo Elīna Garanča. 

Superb singing from Joyce DiDonato and Jakub Józef Orliński lights up a curate's egg staging from Katie Mitchell.

It’s the title character who gets the best tunes in Ariodante and Irish mezzo-soprano Paula Murrihy ate them up. 

The young singers spin any raw material into opera gold, sending the audience home as uplifted as if they’d just glugged a bellyful of Pimm’s.

Porgy and Bess isn’t a perfect opera, but English National Opera's new production is a strong one. 

La comprensión errónea del oratorio Theodora enturbia una, por lo demás, excelente producción de Katie Mitchell.

Das außergewöhnlich gute Sängerensemble trägt diese aussagekräftige Opernvorstellung bei ihrer europäischen Premiere.