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Henrick Ibsen’s tragic figure is given a stunning interpretation by Romanian choreographer Edward Clug, who underscores the power of love.

Christian Spuck revisits Verdi’s sublime Messa da Requiem with a host of gifted dancers and singers at the Zurich Opernhaus.

Marking a century after Vaslav Nijinsky’s last solo performance, Marco Goecke’s ballet gives a new dynamic to the name and story of the legendary Polish-born Russian dancer.

Edward Clug’s choreography is consistently imaginative and powerful, and exceptionally ambitious in the case of “Faust”, which recently celebrated its world première in Zurich. 

Ballett Zürich's Anna Karenina travels to Hong Kong (sadly, sans orchestra.) Nevertheless, the dramatic staging, score, and outstanding performances, among them mezzo soprano Lin Shi, prove dazzling.

In an entirely new version of the ballet, choreographer Christian Spuck wanted to explore the darker realms and fantasy of the ETA Hoffmann narrative that inspired Tchaikovsky’s suite.

Just as rereading a favourite novel can give the reader new literary impulses to explore, so, too, can the revival of a popular ballet offer a fresh interpretation.

Choreographers Marco Goerke and Edward Clug take Stravinsky’s two most familiar ballet works to a whole new level.

Christian Spuck’s marvellous ballet "Der Sandmann" (Sandman) was first performed in Stuttgart in the spring of 2006, but this marks its first run in Zurich.

At the Zurich opera house, ballet director and chief choreographer Christian Spuck employs emotionally charged imagery and highly acrobatic dance technique to tell the story his way. 

The Zürich Ballet and Christian Spuck celebrate Georg Büchner’s anniversary with Woyzeck at the Zürich Opera House: a tragic ballet that perfectly balances emotion and form, abstraction and natural movement maintaining real life ambiguity.