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The performance recalled Jos van Immerseel's remark that Beethoven’s music sounds less modern on the instruments of our time than it does on those of the early 19th century.

In an all-Russian programme, Jos van Immerseel and Anima Eterna Brugge show the nuts and bolts, but forget the music.

Denève and the Brussels Philharmonic launched into Guillaume Connesson’s Flammenschrift with enough excitement and energy to illuminate the whole city.

In the acoustic wizardry that is Concertgebouw Brugge, Jos van Immerseel and Anima Eterna deliver a feast for the intellect, if not for the senses, in their exploration of the great Czech composers.