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Missy Mazzoli's Dark with Excessive Bright is the centrepiece of the Omega Ensemble's contribution to the festival's imaginative chamber music series. 

Hugo Ticciati and Víkingur Ólafsson explore notions of time, but a lesson in mindful performance comes from the gravity-defying Sanddorn Balance act.  

This weekend saw the New York première of Philip Glass' complete Piano Etudes. Produced by Glass’ long-time collaborator Linda Brumbach, the dazzling showcase divided the 20 etudes equally among the ten performers.

From the moment I found out that Philip Glass was going to be playing at St George’s Bristol for his only completely solo performance in Britain this year, I knew it was bound to be a special event. I arrived at the venue to see people waiting patiently and hoping for returns at the box office – the hall was packed to maximum capacity with extra seating at the back.