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In its first full staging in Russia, Miecysław Weinberg’s complex, eclectic score is sung and played with excellence; Thaddeus Strassberger's direction and staging presses all the emotional buttons.

David Pountney's production of Mieczysław Weinberg's opera The Passenger travels to Chicago. 

Two worlds occupied by the same two women and presented, jarringly, as a single multi-story set. One is the pristine white deck of a 1960s ship bound for Brazil, and beneath it, where the hull might be, is the grey grim world of Auschwitz.

The glittering white of a luxury cruise liner above, the darkened hell of the concentration camp below. Johan Engels' set for Weinberg's The Passenger, first seen at the Bregenz festival in 2010 and now at the ENO in London, is one of the most striking and effective opera sets I've ever seen, both framing the action and adding colour.