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An evening of frivolousness and solemnity.

McFall’s Chamber brings a freshness to its repertoire as it revisits the Bongo Club years, and performs two newly commissioned pieces. Informal and very enjoyable.

What drew John Cage and Frank Zappa into the same programme was their mutual admiration of Edgard Varèse, at its most striking in their use of percussion. Somehow I feel Cage would have been delighted to be the one out of step with an otherwise perfectly symmetrical programme. Flanking the interval were performances of Varèse’s Ionisation (1929–31).