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American Ballet Theatre’s fall season continues with its Neoclassical Works program, featuring works by Sir Frederick Ashton, Kyle Abraham and George Balanchine. 

Just as there can never be a bad performance of Serenade, there are no bad performances of In the Upper Room. It practically dances itself.

The Dream is such a crowdpleaser that one wishes ABT would do this more often in their Met season, but Ballet Imperial needed more time to relax into. 

Dutch National Ballet continues its series honouring the great choreographer. 

Pia Savoie reviews the Australian Ballet in Imperial Suite at the Sydney Opera House, combining the two classics Ballet Imperial by Balanchine and Lifar's Suite en Blanc.

Le Ballet de l’Opéra de Paris intègre deux nouvelles pièces du maître à son répertoire : Ballet Impérial et Who Cares?, qui donnent à voir deux facettes emblématiques du chorégraphe.