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The Belcea Quartet gave us bleak despair in their Shostakovich, but joined by Antoine Tamestit, they also gave us joyful Mozart and life-affirming Brahms.

In the penultimate Proms Chamber Music lunchtime concert, the Armida Quartett and viola player Lise Berthaud packed a intense but well-balanced programme in an hour which was like having a perfect three-course lunch.

There are few works in the classical repertoire as expansive as Mozart’s Quintet in C major, K515 – the opening Allegro is actually longer than any movement of its kind before Beethoven’s Eroica Symphony whilst its spacious character seems to prefigure Schubert.

The Nash Ensembles' "Echoes of Romanticism" series at the Wigmore Hall, of which this concert was a part, is not really an exploration of romanticism as such, but rather a charting of the rise and fall of Teutonic music between Mozart and Schoenberg.