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Iain Mackay is the best person to lead the Royal Ballet School into the future and presented a rich and diverse programme of legacy and new works.

War on a chess board; simplicity and purity of line; and a rollicking Victorian nonsense musical—all rolled into one evening in London this week. Autumn Glory was a true mixed bag of styles and tempos, and recalled Birmingham Royal Ballet’s heritage that had its beginnings at Sadlers Wells Theatre.